07.04. Lange Nacht der Neuen Musik, Rudolf-Oetker-Halle Bielefeld
12.04. Wasser – das sensible Chaos, Bad Kissingen
26.04. Concert with Radim Hanousek, Cafe Ponava, Brno
27./28.4. Workshop Holistic Caring, Brno
tba Workshop at the DROBS Herford
tba Resonanz, 4 site specific performances, Osnabrücker Land
Opening of the festival kunst & gesund
Premiere: water – the sensible chaos.
With Minako Seki (Dance), Willem Schulz (Violoncello, Performance), Anna-Katariina Hollmerus (Nordic Singing), Fanja Raum (Sopran-Saxophon), Marcus Beuter (Field recording, Elektronic), Nils Willers (Lightdesign, Text), Aleksandra Kononchenko (Video)
12. April 2018, 7 p.m. Max-Littmann-Saal, Regentenbau, Bad Kissingen
Saturday, 7.4.18, 9p.m., Rudolf-Oetker-Halle, Bielefeld
5 Seen (5 lakes) is a co-composition by Xu Fengxia and Willem Schulz for Guzheng, Sanxian, chinese singing, contemporary voice, clarinet, piano, monochord, cello, electronics and field recordings.
Humanity is searching for perfectness from the very beginning on. But we always reach our limits and call this impercetness.
6 artist go on a research and present their first results.
Christine Grunert Dance
Agnetha Jaunich Dance
Veronika Witte Fine arts, Video
Andreas Hermeyer Accordion
Marcus Beuter Sounds, Laptop
Andreas Kaling Saxophone
Capella hospitalis, Bielefeld, Sunday, 11.2., 5 p.m.
The annual gathering of the Cooperativa Neue Musik will happen on the 9th of January, 8 p.m. at the Capella hospitalis.
The Cooperativa Ensemble will play a selection of works and improvisations from different concerts in 2017.
Collaborative work with the music ethnologist Nil Basdurak about the changes of the soundscape in Beyoglu
Soloperformance at the Free Music Night “Take the AID Train” at Kaset Mitanni, Istanbul, Thursday, 14.12., 10 p.m.
Thematic Soundwalk about the gentrification of Beyoglu, Saturday, 16.12., 3 to 6 p.m., Hazzopulo 1, Istanbul
listening workshop at the seminar Inszenierung/Performatives/Bewegung at the university of Bielefeld.
5th of december
Pauline Oliveros (1932 – 2016), musician and composer got known by many of her activities in her life.
She has been an early protagonist of improvised music, experimented with electronic music, worked at the renowned
San Francisco Tape Music Center and also co-founded the Deep Listening Institute, in which she worked and researched until she died last year.
Pauline Oliveros lived her entire live for the understanding of listening.
A Jour fixe about her life and an introduction to Deep Listening.
Jour fixe of the Cooperativa Neue Musik
Montag, 4.12., 20 Uhr, Capella hospitalis, Teutoburgerstr. 50, Bielefeld
The sound installation subversiv is based on a concept of Willem Schulz, composition by Marcus Beuter. The 6-channel-installation will be realised at three different places in the region.
The first one is at the Landschaftspark Staff-Stiftung in Lemgo. The vernissage is on Sunday, 10th of September, 11.30 a.m.
The installation will be until Sunday, 15th of October, daily 6 a.m. to 10 p.m.
The material of the installation is based on recordings by the musicians of the Cooperativa Ensemble:
Edith Murasova – Voice
Anke Züllich-Lisken – Voice, Monochord
Heidemarie Bhatti-Küppers – Text
Reinhold Westerheide – Guitar
Stefan Kallmer – Clarinet
Willem Schulz – Violoncello
Gerd Lisken – Piano
Angelika Höger – Kinetic Soundart
Peter Schwieger – Synthesizer, Electronics, Toys
Marcus Beuter – Laptop, Field Recordings
Cooperativa Ensemble Bielefeld
Montag, 20.11.2017, 6.30p.m.
Concert related to the exhibition „Der böse Expressionismus“
Anke Züllich-Lisken – Sopran, Monochord
Gerd Lisken – Piano
Willem Schulz – Cello
Marcus Beuter – Fieldrecordings, Live-Elektronik
Heinz Holliger – Elis: 3 Nachtstücke für Klavier (1961)
Marcus Beuter – schmerz (2014)
Anke Züllich-Lisken: Der helle Abgrund (2017)
Willem Schulz – Zyklon (2011)
Karl-Heinz Stockhausen „Aus den sieben Tagen“: Richtige Dauern (1968)